Works

Each painting here exists in two spaces at once. A geometric structure — precise, deliberate, architectural — meets a living impression of landscape, light, and memory. Neither dominates the other; they hold a dialogue.

This is Geometric Impressionism: the emotion of a place captured in color and brushwork, framed and activated by the order of form. The works below move between landscape, portraiture, and abstraction, but return to the same question — how structure and feeling can coexist on one canvas.